How come no one brings up Tom Strong? I read a lot of this series as a child. I wasn't exposed to Batman, Superman, X-Men, Spiderman, or those things. For whatever reason. I just had Tom Strong and Tomorrow Stories.
Tom Strong
Its weird as hell, Tom strong, Supreme and Top 10 tpbs are rare or expensive.
They brought him into The Terrifics series in the last two years
Supreme is hard for Liefeld to keep in print now that he completely lost the rights
I barely started it.
>For whatever reason. I just had Tom Strong and Tomorrow Stories.
Fucking lucky. All I had was Bendis Spider-Man.
Damn, I can only imagine how a child would react to Jonni Future.
Black Cat set me down the path to coomerhood in the late 70's.
Tom Strong was solid stuff. Shame Jim Lee sold Wildstorm to DC and Alan Moore dropped it. :\
>Tom Strong was solid stuff. Shame Jim Lee sold Wildstorm to DC and Alan Moore dropped it. :\
In another world DC makes the hasty purchase of Awesome Entertainment and gets the rights to Liefeld's characters, meanwhile Alan Moore leaves Awesome and goes over to Wildstorm where he does the ABC line and eventually gets the rights back to the rest of the line and not just LOEG.
What about Cobweb?
ATROCIOUS. It tried to be sexy, but it was too poorly drawn. Badly drawn scrawls and lousy coloring make for an awful read. Some gags were funny, but the dumb "jokes" and lame puns were as hot as the sloppy misshapen boobs.
That cover art is the best thing.
Grayshirt was hella cool though, and there was this rural inventor kid who was a blast.
I hate it. I wanna make my Moore Library
What about Splash?
AWESOME!!! this guy was a riot!
Plus I dig inky characters that embrace their medium.
poor child, I pity you
And he's too fucking lazy to launch a lawsuit or a special purpose acquisitions company
ABC was Alan Moore's best time period and nobody can prove me wrong.
You think that's bad? I grew up reading Clone Saga Spider-Man.
Name a bigger pleb filter.
>Grayshirt was hella cool though,
I think it was great that Veitch continued the Grayshirt stuff in a miniseries, that went into a little more detail about his past.
>and there was this rural inventor kid who was a blast.
That was Jack B. Quick. The Jack B. Quick stories actually won them an Eisner one year.
All of LOEG?
What is the general population's view of League anyway?
The general population doesnt know that it is exist. Cinema fans know that there is a book series that go a bad movie adaption. Only comic and Moore fans that it exist!
But I never see anyone talk about it, it's like Moore's entire career ended at Watchmen and maybe a few people know he did From Hell and something with fishrape in it.
Also Tempest and Black Dossier are better than the first two parts, fight me.
never liked it, never will. alan moore is a bad artist, and even worse creator
>alan moore is a bad artist
But he didn't draw it
I mean bad writer of course, although Moore also used to draw
yeah, my bad, corrected it above
So what was it that upset you? The Harry Potter is the Antichrist stuff?
>WMBF pairing that hasn't been ruined
Pure based.
>has cringe BLACKED like 9 issues in
DROPPED!
People talked about it. But only when a new issue was published. There was a time Watchmen or Moore was rarely discussed too. It is only discussed when he publishes something. At the moment we have so many threads because of his critic of superheroes, HBO Watchmen, Doomsday Clock or Rorschach. Either be it shills that want to push Watchmen interest (i have the feeling most Watchme threads atm are mady by Tom King) or suddenly people remember Moores works.
People like to hate the big 2 and that characters are in a constant cycle of storytelling. But honestly without them and this cycles they would be forgotten. Anyone remember Spawn? Or Witchblade? Or NewMen? Or Maus? People will forget things, they need reminders. I hate how the big 2 leech on their properties, but without them we wouldnt have anything good neither. A mokney pawn!
Hi Tom. You still sour that your Rorschach series has no hype nor interest?
But Spawn is still ongoing, surely Todd would've stopped if he didn't have an audience
He is a good writer and a good artist, but sure you could also reduce his creation on remixing. Everything he is known for is mostly build upon existing characters. So his hate how others build on his works are very hypocritical. But he is right that people are not very creative when they take his stuff or good written!
And rarely we talk about Spawn. I guess Maus is still often read or even bought. But discussion, even on a mongolian image board specialised in comics is non existent. Even Spawn toys are rare. McFarlane makes more money by sports figures or movie properties!
Well I wish I could have good threads about good comics.