The SONS of EL TOPO
EUROCOMIC STORYTIME
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>Legendary filmmaker Alejandro Jodorowsky (The Incal, Metabarons) and virtuosic illustrator José Ladrönn (Cable, Incredible Hulk) deliver a sequel to Jodorowsky's cult classic film, El Topo. El Topo was once a bandit without limits, a man with no moral compass, until his journey through the desert brought him to religion and enlightenment. As he became a holy vessel imbued with the power to perform miracles, he left behind his first born son Cain, and brought forth the birth of Abel. Fueled by resentment, and unable to kill his saintly father, Cain begins the slow pursuit of his half brother in a tale of magic and mayhem.
>El Topo ([el ˈto.po], "The Mole") is a 1970 Mexican avant-garde acid Western art film written, scored, directed by and starring Alejandro Jodorowsky. Characterized by its bizarre characters and occurrences, use of maimed and dwarf performers, and heavy doses of Christian symbolism and Eastern philosophy, the film is about the eponymous character – a violent, black-clad gunfighter – and his quest for enlightenment.
Noteworthy figures said to be fans of the film include directors David Lynch, Nicolas Winding Refn and Samuel Fuller; video game writer and director Suda51; actors Peter Fonda and Dennis Hopper; comedians The Mighty Boosh and Patton Oswalt; and performers Bob Dylan, Roger Waters, Marilyn Manson, Frank Ocean, Jarvis Cocker,[9] Peter Gabriel, George Harrison, Lucia Lee, and John Lennon.[10] Gabriel has claimed [11] that this movie was an inspiration for the classic Genesis concept album, The Lamb Lies Down on Broadway, while collaborator Jared Eckman described the film as a failed experiment. John Barham re-recorded the score for release on Apple Records at the request of John Lennon. Suda51 cited El Topo as a key inspiration for his game No More Heroes.[12] Gore Verbinski cited it as an influence on Rango.[13]
>José Ladrönn (born 1967) is a comic book penciller and inker born in Mexico.
>Following the release of the film, Jodorowsky courted controversy when he claimed that the rape scene was unsimulated:
>When I wanted to do the rape scene, I explained to [Mara Lorenzio] that I was going to hit her and rape her. There was no emotional relationship between us, because I had put a clause in all the women's contracts stating that they would not make love with the director. We had never talked to each other. I knew nothing about her. We went to the desert with two other people: the photographer and a technician. No one else. I said, 'I'm not going to rehearse. There will be only one take because it will be impossible to repeat. Roll the cameras only when I signal you to [...] And I really... I really... I really raped her. And she screamed."[1]
>He went on to state, "Then she told me that she had been raped before. You see, for me the character is frigid until El Topo rapes her. And she has an orgasm. That's why I show a stone phallus in that scene . . . which spouts water. She has an orgasm. She accepts the male sex. And that's what happened to Mara in reality. She really had that problem. Fantastic scene. A very, very strong scene."[1]
>In 2019, Jodorowsky addressed his earlier comments, clarifying that it was part of a publicity stunt: "They were words, not facts, Surrealist publicity in order to enter the world of cinema from a position of obscurity [...] I acknowledge that this statement is problematic in that it presents fictional violence against a woman as a tool for exposure, and now, fifty years later, I regret that this is being read as truth."[2]
Omfg thanks I love the movie, Jodorowskys best narrative work in my opinion
ur welcom
>raping... with love
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>SHOW MUST GO Ooooooon
>to bed!
>to bed!
>YES WE CAN
trips
have u shape shifted today?
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T H I C C
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