Make a movie about spic culture

>make a movie about spic culture
>I cry like a little bitch at the end
Why the fuck do these people always know how to hit your feels? Also probably one of the best pixar movies.

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Because family is everything to Hispanics, and White people have no familiar connections, at all. So we know what strings to pull to make you cry

I've always thought this movie was made to say sorry spics, but we're going to fuck you over for the next couple years, have this shit movie in return.

Probably it‘s more align with every culture except middle european ones that spread to countries.
You didn‘t like that? Not even the ending where he sings and his grandma remembers her dad

>we're going to fuck you over for the next couple years, have this shit movie in return.

In what way have they been fucked over?

>pic unrelated
There's still some shit this movie doesn't explain
>Why the fuck would they leave some guy's body in the middle of the Street? And why was the family never told about his death? I know they probably assumed he was dead by the time the events of the movie, but they were never told how he died let alone if he was found. If you stumble upon a dead body and he has a briefcase probably full of identification papers, you're gonna want that shit to help contact the family.
>Also how the hell did a physical item from the living world transport itself to the afterlife? Is like dimensional merging magic or some shit
>The mexican skeleton people rely on the people alive to remember to basically live in the afterlife right? What if all of humanity went extinct. What then? Are they all royally fucked or will they have to reorganize their system.
>Also how do they accommodate for the people who believe in other religions? Do they tell them upfront like "yeah this wasn't accurate, but hey being a Mexican skeleton is actually pretty fun once ya get used to it bro" or do they get to go somewhere else?

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>Why the fuck would they leave some guy's body in the middle of the Street?
It's Mexico, it's a common occurrence.
>And why was the family never told about his death? I know they probably assumed he was dead by the time the events of the movie, but they were never told how he died let alone if he was found. If you stumble upon a dead body and he has a briefcase probably full of identification papers, you're gonna want that shit to help contact the family.
Considering the time period he died, he probably didn't have any identification on him.
>Also how the hell did a physical item from the living world transport itself to the afterlife? Is like dimensional merging magic or some shit
Yes
>>The mexican skeleton people rely on the people alive to remember to basically live in the afterlife right? What if all of humanity went extinct. What then? Are they all royally fucked or will they have to reorganize their system.
Yes
>Also how do they accommodate for the people who believe in other religions? Do they tell them upfront like "yeah this wasn't accurate, but hey being a Mexican skeleton is actually pretty fun once ya get used to it bro" or do they get to go somewhere else?
Considering there's a literal immigration department for the afterlife, people probably do go to the afterlife they believe in. Atheists get tossed in The Void

Didn't they base Coco on a real life Mexican family and give them nothing in return despite them being poor?

OH pls, your kind never apologized to nothing.

You saying Coco is based? (on true story)

>The mexican skeleton people rely on the people alive to remember to basically live in the afterlife right? What if all of humanity went extinct. What then? Are they all royally fucked or will they have to reorganize their system.
Always find myself amused by Americans sacred of the concept day of the dead afterlife. Such a simple thing yet it strikes fear deep in them.

They based the design of Mama Coco on a real 105 yesr old woman they met while traveling through Mexico to research the film. The story about the family isn't based on anything and was written before they met her.

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Pixar was on fucking point when they made that character model, holy shit it looked amazing

like 80% of small town mexican grannies look like Mamá Coco tho

>Atheists get tossed in Hell
FUCKING BASED

It's one of the weakest non sequel Pixar films. Very run of the mill. Boring script and even more boring characters

God, I hate my family and they hate me. Confirmed.

This one particularly hurt because I'm a spic and my grandma is wheelchair bound and has dementia, she once thought my mom was dead while when went to go visit her at the nursing home. So this movie kind of kind of hit home a little closer.

It's a formula. Also, it's easier to make someone feel negative than positive.

It was mediocre as fuck. The "twist" villain was so fucking predictable I thought they were trying to trick the audience only to reveal he was actually a decent guy.
>it's a "two-faced villain ruins themselves by monologuing into a hot mic" episode
wow, a dead cliche for the movie about dead people.

The Void, in my opinion, is worse than Hell. It's non-existence, it's nothingness, you fade away into the neverending darkness. With Hell, you at least know you once had a life

Why is that bad? There is no self

>eternal physical torment is better than NOT experiencing eternal flames that never die

Yeah, they made him comically evil. Maybe if they just changed the last scene and just got Miguel out of Land of the Death, then he convinced his family Héctor was a decent guy who got tricked by Ernesto, BUT no one outside of family believes them. I still believe Ernesto's bastard descendents got the sweet, sweet regalias from his music and well as some big studio and all the artists that made covers of his supposed music. No one is going to renounce to that.

I remember the Void before I was born, it wasn't that bad, although there was no pleasure, there was no suffering either.

Yes this is something I learned about America. They don’t seem to have strong connections with their family (mostly white people). A past friend of mine in highschool had to get a job so she can buy her father’s old car. Lots of Americans also like to move out of their parent’s house as quickly as possible while people outside America just stay with them.
Both Hispanics and Asians are the opposite and seem to make a strong emphasis on family from what I’ve seen. Which is how it should be, unless your family is shit.

What's weird is that white people make fun of this too. A lot of white people I work with pretty much joke about the fact that as soon as their kids are 18, they're pretty much out of the house and on their own. Whereas with Hispanics, most of them don't leave the house until they've started a family of their own.

>yes, I killed my best friend for my career and will kill my great grandson now too, and?
absolutely based, rest of the movie sucked though

I figured he didn't care that he was his great grandson or not because he most likely left a fuckton of bastards all over Mexico while touring. What's one great grandson out of what could possibly be hundreds?

I have this theory because Pedro Infante and Vincent's Fernandez, the singers who de la Cruz is based off of, have also done this, but the record companies they worked for simply paid the women off to keep their mouths shut.

You may not be familiar with hispanic culture, but making the emotional peaks of the film revolve around gestures of love for a dear family member is a fairly common experience/desire. So yeah, I'm glad you liked it.