>Bleeding Cool has been made aware recently that DC Comics has been approached by – or has approached – other publishers about the possibility of licensing DC Comics characters for their own comics.
>This is not uncommon these days. Marvel Comics has an all-ages comic book line licensed and published by IDW. Marvel has also recently signed with Scholastic Graphix for them to publish several titles featuring Marvel characters including Miles Morales, Spider-Man.
>I understand that some publishers have already approached DC – or been approached – and have turned down the opportunity over cost. Bleeding Cool has learned that IDW – who already license Star Wars and Marvel comic books for younger audiences – found the price too onerous. The same goes for Dynamite Entertainment, who employ several creators it would be interesting to see on specific DC titles. While Marvel Comics themselves – who forty years ago were approached by Warners to take over the biggest DC Comics titles – thought the price paid wasn't worth it – and they have recently bought up comic book licenses from Lucasfilm, Fox, Games Workshop and Conan, so they are not opposed to this sort of thing.
>But Bleeding Cool has heard the word that Penguin Random House, who already exclusively distribute DC graphic novels to bookstores as well as to comic shops the world over, and who have the figures on just how well they sell, have decided that, yes, the license fee is worth it.
part 2 >And I am led to expect that one of their many publishing imprints will be publishing original DC graphic novels. They have been hiring a number of staff for their graphic novel lines. With the likes of DC Comics shedding editorial staff, joining those from Oni Press, IDW and more, Random House now has a pool of very experienced and well-connected editorial staff they are bringing on board at comparatively low rates without having to train them.
>Random House already publishes children's picture books using DC characters for the Random House Books for Young Readers imprint, but this would be more like the kids and YA original graphic novels that DC has been publishing recently.
>I am told to look to announcements from Random House Graphics soon – unless another imprint in the mass that is Penguin Random House – steps forward to claim it. Random House Graphics, a relatively new imprint from Random House Children's Books state they have a mission to put a graphic novel on the bookshelf of every child and YA reader. And that at RH Graphics, they are "committed to championing the creativity and diversity of our authors by developing high-quality, unforgettable books."
>Which characters do you think they might want to feature first? Random House did not reply to enquiries made over the weekend.
Logan Moore
Zig Forums doesn't read comics and only screeches about boogeymen in the shape of black women
Gabriel Moore
the problem isn't dc, the problem is that every writer is an white men hating sjw cuck
Nolan Wood
It makes more sense from soulless corporate POV. You know it's going to happen.
Nathaniel Hall
this thread is not about that. this thread is about something that many anons were predicting years ago - the end of floppies and the rise of the graphic novels
Hudson Martin
that also allow DC to sold the license to foreign editors for them to adapt the capeshit license to their own country readership. Instead of american writer filling their work with weird social fetish that isn't going to sell internationally.
Kayden Torres
I doubt this. DC's recent young readers books have made a killing in the Scholastic market, why would they give that money to another publisher for a fraction of the same amount in licensing profits?
Adrian Reed
because cost-cutting, because of covid
Justin Edwards
I wouldn't mind if they bothered having a normal shared ongoing universe with the graphic novel format. But for some reason All OGNs have to be self contained elseworlds, and usually weird ones at that.
Dylan Brown
also the writers are mostly commies who are really likely to form an union.
Nathan Turner
They no longer have to spend their own money making them.
Asher Richardson
well, now they will have an opportunity to virtue-signal irl by letting the third worlders write and draw instead of them
Luke Williams
So what exactly are Random House Graphics ya/kids ogn's like? I want to have an idea of whether or not it'll be an improvement.
James Bell
This
Adam Peterson
>a normal shared ongoing universe with the graphic novel format
when are you fucking nerds going to wrap it around your thick fucking manchildren skulls that "shared universe" whether its floppies, graphic novels or movies is ultimately unsustainable and impenetrable?
There's nothing wrong with guest stars and team-ups, there's no need to demand that every character gets their own content-churning silo.
Xavier Nguyen
>when are you fucking nerds Leave, shill.
Lucas Morgan
They're mostly your typical unisex gay shit for kids.
Jaxon Russell
The MCU was successful and is only going to implode eventually because the actors age. That's not a problem in comics. And that ignoring ongoing shared universe have worked perfectly fine in the past. You're full of shit.
Oliver Hall
Examples? Show us the cringe.
Jason Rivera
Have you missed the recent starfire announcement? I can't imagine how unless you haven't signed on to the internet in over a month.
Oliver Collins
That's a Random House Graphics OGN book? Because we are talking about that, not DC's current line of kid/teen OGNs
David Turner
That's DC's current in house OGN line. I'm wondering what kind of crap Penguin is making themselves.
Isaiah Green
>waugh he said an uncomfortable truth
Josiah Jackson
>ultimately unsustainable and impenetrable? So we're just going to ignore the past 80 years of Big 2 comics?
Asher Gutierrez
Now it is nerd Trump lost and trainnes will never be real woman
Connor Lopez
>the last 80 years of comic sales have grown year over year!
are you actually fucking retarded?
Samuel Ward
didn't we have a crash and close to another one
Jordan Baker
I don't have any numbers but yes, for the most part business must've improved or had to have been consistently good.
Levi Phillips
Limited licensing makes sense as an interim measure. Let someone who is already established in an unfamiliar market do the legwork and shoulder all the risks for you, and if it proves lucrative, enter the market yourself. Look what the Japanese publishers did to Tokyopop.
Aaron Nelson
They're race and gender bending the fucking bogeyman now?