Adult people paid money to watch this
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Looks so kitschy
zoomers think this is exciting cinema.
>friends are mad at me because I can't enjoy watching most capeshit movies with them
>same friends can't into the old 2d cartoons I actually like a lot
Something weird is going on here, shouldn't you like either both or none of those?
Disney movies have deviated a lotfrom the traditional superhero structure. That's why you get shit like loki as a god guy even though he is literally the god of mischief and chaos.
>loki as a god guy
MISCHEVIOUS WORDS BUT A GOD GUY
>Have Fun
Has there ever been a more onions moment in a flick?
>Disney movies
That would be understandable but I meant the old 2d capeshit.
No I could literally smell the soi from this webm.
Capeshitter should be rounded up in camps.
yeah it was pretty good
stay mad turbovirgin
Meanwhile in Japanese capeKINO
Marvel 2d capeshit was pretty bad for the most part. Even my favorite, the X-men cartoon, is pretty terrible.
At least they managed to get most of the actors in a room at the same time.
Ready Player One did it better.
Same can't be said for the Hobbit.
>1:28 clip references L'Avventura, Vertigo, Magnificent Ambersons, 2001:Space Odyssey, among others
Kino of the highest order
>Has there ever been a more söy moment in a flick?
>Warden Burns: As warden, I can approve buying a copy of A Dance With Dragons for the prison library to go up on the Game of Thrones shelf. Now, the only problem is that The Winds of Winter and A Dream of Spring have yet to be published so those aren't available. Well, I can't do anything about what I can't control.
>Naaman: That is total bullshit! George R.R. Martin was supposed to deliver The Winds of Winter to his publisher over two years ago.
>Warden Burns: I know that was the original deadline. That's what it says here. But I'm reading to you from the Wikipedia page. It also says that Martin had a grueling promotion schedule or something, and it's interfered with his writing schedule. He's failed to complete The Winds of Winter.
>Naaman: That don't make no sense. Those two guys who transferred in from Federal last month knew about all the new stuff with the hot chick and her dragons.
>Warden Burns: No. I'm telling you, I believe those two inmates had that information from watching the TV series. Again, I'm reading to you. The series has jumped ahead! It's no longer following the books!
youtube.com
The Japs know how to make kino.
lmao
the episode where he reunites with his father is unironically better than any American capeshit scene in 30 years
Did you miss the part where it's revealed that they were stalling the warden and didn't actually care about the books
Manchildren in their late 20s to 30s*
>The flat, washed out look of these flicks is a result of them all being shot on outdoor, backlot green screens in Atlanta. To capture the live action as quickly as possible, given the rapid turnaround of these films, they're largely shot without any specific lighting set ups or rigs. This is done around the clock. The footage is then 'fixed' in post digitally. It's also why the post production is all done in 2K and the CGI is farmed out to coding sweatshops in China. It's all about speed and cost cutting. Most of the budget on these films is star salaries for the so called talent and the executives.
>Marvel also employ an in house writers room, like a tv show, who simply pump out scenarios and adaptations of old comic book storylines. The 'best' ones will then be put together & a writing team hired to turn it into a viable script. Their only job is to join the various skits into a single narrative. Anyone involved in the production can submit quips (I'm not joking). A director, usually someone from an indy film background who won't cost to much, is then brought on board to film the live action and deal with the actors. The big set pieces will already have been pre-vised and CGI work begun. They have no input on this. They are treated a lot more like TV directors, hired to shoot a completed script according to a house style then passing the footage off to the editors. These movies are all producer driven.
>The movie will be heavily test screened throughout post-production. Re-shoots are factored in from the beginning as they will make significant changes based on audience feedback. Test screenings are normal in Hollywood, but usually take place very late on and result in small edits to the final product, at the director's discretion. At Marvel it's an integral part of the filmmaking process.
>It's not an exaggeration to say that MCU films are completely devoid of any artistic merit, made in a sterile, corporate fashion never seen before in the film industry and are at this stage purely a product of mass consumption.
My point is old 2d capeshit is different enough from modern day capeshit.
These shows were filmed 11 apart, needless to say everything had improved significantly by the early 1980's
Maybe it's just me but there is something very obnoxious about the characters doing their "pose" exactly when the camera pans to them. It feels unnatural and actually produces the opposite effect they're going for. I think that shot would have work better with a static shot.
this looks fucking gay as fuck why can't zoomers into kino
Why do they go through the trouble of filming these scenes when they are 99% cgi afterwards? Do they only do it for some bluray bonus material like op's webm?