Post films about films.
Meta Films
trying to make a spread for Zig Forums, plus i've a thing about them, so I'd love to hear of ones that I've missed.
some that I have so far:
Singing in the Rain
The Player
A Face in the Crowd (more tv though)
A Star is Born (1937 original, the rest are about musicians)
The Fall
La La Land
Hail, Caesar!
Rear Window
Inglorious Basterds
Cannibal Holocaust
Wag the Dog
Tropic Thunder
One Cut of the Dead
shit, forgot my favourite
Being John Malkovich
Adaptation
Be Kind, Rewind
A star is born (the original)
Ed Wood
Cabin in the Woods
Ed Wood
The Disaster Artist
Shadow of the Vampire
Wes Craven's New Nightmare
Rubber
The Holy Mountain
I love The Player.
Hail Caesar was pretty underrated in my opinion.
The Disaster Artist is probably the best thing Franco's done in a while.
In retrospect, I actually really like La La Land, I don't know if that counts.
Once Upon A Time In Hollywood must count, but despite being very comfy and having great performances, I found it too meandering and Tarantino's foot fetish was inserted obtusely into literally every scene (way more than his previous films).
Tropic Thunder is a straight up masterpiece.
Entourage (the movie) was disappointing and I can't remember if Ratajowski got her honkers out for it.
The Other Side of the Wind was decent. I didn't love the film within the film, but I don't think I was supposed to. While it's no Citizen Kane, it was certainly better than The Lady from Shanghai (or at least edited with better respect to Welles).
Mr Bean's Holiday
I only see Cannibal Holocaust as fitting.
Circus Kane. The definitive horror meta film.
Labyrinth of Cinema (2019)
>La La Land, I don't know if that counts.
I think that it does. Splendid homage, more so even than Once Upon in Hollywood. It's half about musician, half about actress, but its' definitely about Hollywood, with out right copied iconic scenes and filmography.
Another one of my favourites:
>version 0.05
>help appreciated. especially regarding horror movies, have not watched any, so no idea where to put them
screenwriters:
Adaptation (2002)
Trumbo (2015)
Sunset Boulevard (1950)
Barton Fink (1991)
Bowfinger (1999)
The Majestic (2001) — move to homage maybe
producers / directors:
Man With a Movie Camera (1929)
The Player (1992)
The Disaster Artist (2017)
Shadow of the Vampire (2000)
Hearts of Darkness (1993) — avoding documentaries, maybe worth mentioning?
8½ (1963)
Sullivan’s Travels (1941)
Hellzapoppin’ (1941)
State & Main (2000)
The Bad & The Beautiful (1952)
stars / stuntment:
Once Upon a Time in Hollywood (2019)
A Star is Born (1937)
Singin' in the Rain (1952)
A Face in the Crowd (1957)
The Fall (2006)
The Artist (2011)
Hooper (1978)
homage:
Hail, Caesar! (2016)
La La Land (2016)
Tropic Thunder (2008)
Once Upon a Time in Hollywood (2019) XXXX
Boogie Nights (1997)
Cinema Paradiso (1988)
RANDOM/UNSORTED/DOUBTFUL/MARGINAL
The Life Aquatic With Steve Zissou (2004)
Saving Mr. Banks (2013)
Inglourious Basterds (2009)
Maps to the Stars (2014)
Mr. Bean's Holiday (2007)
Wes Craven's New Nightmare (1994)
Cannibal Holocaust (1980)
Be Kind Rewind (2008)
Wag the Dog (1997)
One Cut of the Dead (2017)
Circus Kane (2017)
Argo (2012)
I wouldn't say Bowfinger was about the writing process. It's kinda about everything, but I'd say pretty much any of your other categories would be more apt.
And I'd put Boogie Nights into unsorted since it's about the actors/producers of pornography.
Also, it's not clear what this list is. Is it supposed to be a list of good films or just every film applicable? Because there are several in the thread that you haven't included
Mulholland Drive and Inland Empire
Maps to the Stars is underrated as fuck. And it has /our guy/ playing a limo driver
CQ (2001)
you are in one
both kino
Scream
I watched that on Netflix, I’ve got no idea why it isn’t a big deal.
I feel like I'm the only one who saw this movie or at least the only one that still remembers it. It's pretty good
I don’t think I’ve ever heard of this, I’ll add it to my list.
Have another forgotten one
Rear Window couldn't be more overt in its window-as-screen imagery, with each window representing a splinter in the storyline that could be just as interesting as the main plot.
Inglorious Basterds features film as a weapon (and the creation, proliferation and interpretation thereof) at its heart. The "Big Face" has various interpretations but it's most literal wraps together aspects of all the plotlines, from Hammersmark's defecting actress, Fassbender's film critic turned soldier, and the entire concept and execution of Operation Kino.
Both films could not be more 'film about film' if they tried.