/film/

Thread for the extraordinary discussion of arthouse and classic cinema.

/film/ Literature - mega.nz/folder/KvgWTKjQ#rGWJZs0ihnviBKDM9yxwJw
/film/ Charts - mega.nz/folder/g2gBzCpY#-z-2TvXS-CvoKE_VTLR0qw

Previous:

Attached: 1586696277753.jpg (2044x2548, 429.2K)

>women in the OP
BASED

I watched La Strada and Lang's M. La Strada was great. M was shit.

M is a masterpiece
Retards like you never have any reasons either

Very erudite

Third Man or M?

Is Derek Cianfrance any good?
He seems like a James Gray, who seems like an Andrea Arnold.
I only saw American honey out of the three of them and I disliked it a lot.

Pleb taste IMO, filtered by Lorre's acting.

Definitely M
I’m not even sure Third Man is better than The Fallen Idol.

It was a boring bluckbusteresque film. It didn't have anything of value to say.

>boring
>didn’t have anything of value to say

Gray is nothing like Arnold. Gray is in the tradition of 70s Hollywood cinema and more classical directors like Lean. Cianfrance is more cinema verite style. You won't like him. I read that his TV show was good though.

I remember liking Blue Valentine when I saw it years ago, not certain how much if would still like it if I rewatched it but its probably worth watching if you like Michelle Williams.

Interesting I should check out Gray then.

Makes sense

The Life and Death of Colonel Blimp, (1943) is a hidden gem... unknown to many these days, but a truly wonderful film.

It does the "life story as flashback" in a good way, and Deborah Kerr playing three different parts is not only done well, but is nearly essential to the overall themes

Attached: Blimp.png (1011x647, 1.08M)

Yes it’s fantastic. Idk why I never think to watch more Powell

Bresson
Hovering Over the Water (1986)
The Recognitions
Bachelard
none

Is the rest of Herz' filmogaphy any good? Where should I go from the Cremator?

Attached: download.jpg (291x173, 8.32K)

For me, it's Mara Corday

Attached: 16306961395_0c2aa78f84_b.jpg (658x1024, 281.14K)

Another great sleeper is "Things Change" (1988). The plot:
> low level mobster (Joe Mantegna) always in trouble with his bosses
> An old man (Don Ameche) who agrees to plead guilty to a crime he didn't commit, in exchange for money
> Trapped in a hotel room until Ameche can turn himself in to police, Mantegna decides to give him one last night on the town for him to remember.

Attached: ThingsChange.jpg (995x1500, 219.3K)

>The Recognitions
JR is better.

Beauty and the Beast
Morgiana

What should I watch today? An English language movie preferably, I want to be distracted from my severe allergies

The Cook, the Thief, His Wife and Her Lover

Pick a topic and comedy/drama/etc. Too hard to just pick a film

Morgiana
Beauty and the Beast (if you like it watch The Ninth Heart too)
Oil Lamps
Ferat Vampire
Sweet Worries
The Magpie in the Wisp
The Night Overtake Me
Fragile Relationships
Passage (Kafkaesque, underrated)

>Topic
Anything, I'm open minded

>Genre
I lean heavily towards drama and thrillers but I'm also adding comedy, atmospheric and body horror to the mix.

If you want one that will make you think
> On the beach (1959)

If you want one that will prevent you from thinking
> Hell's angels (1930)

If you want to dance through life:
> 42nd Street (1933)

If you want to stop dancing and having a longer attention span
> The Good Shepherd (2006)

Bresson is boring

filtered

Seconding 42nd Street, especially if you have a taste for Tin Pan Alley/showtunes. I watched it recently and found it both entertaining on its own terms and interesting historically in that it was one of the major works created specifically to get peoples minds off the depression while still acknowledging that it was happening, and in that it really established the conventions and cliches of most subsequent showbiz musicals. Busby Berkeley was a visual titan.

Attached: 42nd Street legs.jpg (1255x939, 93.5K)

In the passion of Anna, who was the one who killed the animals? I have a vague idea but dont want to spoil for other people

Another webmless thread

he is boring

Being pre-code, the themes and language are FAR more adult than anything that would come out of hollywood for a while.
> show girls looking for a daddy, and the men who trade favors for sex
> anytime annie, "the only time she said no, she didn't understand the question"
> a fucking murder in the middle of a dance routine

Not to mention a movie line that went on to not only be a classic, but start an entire gendre of plot itself.
> listen... you're going out there a kid, but you've GOT to come back a STAR!"

As far as Berkeley, I'm convinced that he would make a great bio-pic, as long as it's done in a way large enough to capture him.

> opens with ants, they're walking in a line.
> as they move, they form intersecting patterns
> a child is watching
> he's bulled back by his mom, they're in NYC
> he's Buzz, and his mom is on the way to another audition.

Probably the only two who could pull it off would be Keven Spacy or Seth MacFarland (for different reasons)

I can't watch films anymore, I think i've capped out.

Have you finished Circe yet?

Read a book, then? I would finish the films of directors, that you said you haven't seen much so far.