Why this board and Asians as a whole go buthurt when you point out that anime characters look white and not asian?

Kigurumi were a mistake

gross.

because they hate their appearance. The only traits of themselves they admit to is black and "black" eyes. They never mention skin tone or slanted eyes when comparing themselves to whites.

>blingee
Whoa, haven't seen those in a long time

in what universe do nips look like that?

in the same universe where whites look like that

They're cartoon characters, they barely look human at all, but their hair and eyes are vaguely more japanese than anything else

My English teacher in elementary school told me it's because Asian's feel genetically inferior.

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For what it's worth, I asked a Japanese guy about this once. This single individual told me they mostly consider anime characters Japanese by default and when weirdos say "anime characters look white!" they are just revealing their own prejudice.
Perhaps it's not unlike the racetards who say "orcs are black people!"
I dunno. For me, anime characters aren't really anything -- they are fantastic and artificial.

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Those are both cartoony to some extent and look nothing like how people look in real life

most of them are white. I mean no asian could look like half the characters naturally. So they get jealous.

Yeah almost all naruto characters are white but for a second could you imagine if they drew them like actual asians lol. One word: ugly

>This single individual told me they mostly consider anime characters Japanese by default and when weirdos say "anime characters look white!" they are just revealing their own prejudice.
Lol that sounds like seethe to me. Also you can tell he was a nancy boy since he thinks calling someone prejudice is an insult lol.

cosplay schizo is that you?

Because most real asians look extremely
plain same fucking black hair and eyes almost 90% of them and they usually look well.. You know.

>why this board
You mean twitter SJWs. Large majority of people, including most of Zig Forums, is well aware most anime characters look caucasian

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Tho reasons. You're wrong, and you're an idiot when you say this.

The "idiot" part is what really gets them. This absolute obsession with race is a very American thing. "This is my skin color, so I belong, and you don't belong. This is your skin color, so you can say things I can't. My hair color is naturally blond, so this character represents my group, and it has nothing to o with your group."
All this race gatekeeping sounds stupid and annoying to most non-Americans.

The second reason is you're wrong, because they don't even look like humans. It's an art style. White people can have blonde hair, but not pink hair.
They don't intend to make their drawing white and non-asian, when they draw them. They don't associate anime characters with white people rather than asians.
Other than the blonde hair, you may think these drawings are "white" because of the big eyes. Because you think of slant eyes when you think of Asians. The equivalent stereotype in Asia about white people is not round eyes, but big nose. Anime characters barely have a nose.

When they want to draw an intentionally white character, they draw them in a more realistic art style to make sure you pick up on the characteristics. They often even get smaller eyes than the anime style characters because of this. And a big nose.

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why do you think? They want to make the anime characters aesthetically pleasing to look at and have you seen the average japanese person?

Amen

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The fact you deny they look white already tells you are in fact some amerimutt basedboy who probably uses twitter. And lies to himself so he doesnt seem 'racist'. yikes

>Waito piggu
>White

it's funny when chinese characters look more asian than japanese

*howaito

>Japs have big eyes
>but the token chink character actually have slanted eyes and wears a traditional chinese outfit

Caucasian face features are too prominent (nose, jaw, mouth, etc) to look like anime characters. Maybe kids or early teens, but any soft feature go to shit once whites reach their 20s.

I'm glad you asked. Allow me to distillate the finest Hegelian odyssey of the 21st century: the character of Meruem.

Let me shortly explain - for those not familiar with this - Hegel’s theory of self-consciousness. For Hegel, the most primitive form of consciousness is certainty at the level of sense experience. It is the experience of “this” or “here” rather than classifications like red or round. Hegel noted that, “self-consciousness…cannot exist in isolation. If a consciousness is to form a proper picture of itself, it needs some contrast.”

This all sounds similar to those who have witnessed Meruem’s character arc, as he first began as a being that merely satisfied his basic desires – sense-certainty and the particular rather than the universal. This is evident in the way he forcibly ripped himself out of his mother’s womb and immediately embarked on a search for food. According to Hegel, Meruem would be in the first stage of self-consciousness at this point. It is interesting to take note of the fact that Meruem did not speak very much during the first few days after his birth. He was simply performing whatever action seemed to satisfy his desires rather than reflect upon his actions or himself through language, which Hegel believes is juxtaposed with desires – desires are subjective and language is universal.
Sure enough, when we begin to see more of Meruem’s inner dialogue and conversations with other people he isn’t merely focused on his primal desires anymore. He has arrived at the next stage of self-consciousness. This is when we see him classifying human beings and chimera ants according to their properties. He is now interested in the differences between those who possess Nen and those who do not.

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uch contemplation eventually leads him to impose universal laws unto the world as we can witness from his rather extreme form of social darwinism – power is the only thing that matters. He tries to organize his underlings and the food he eats according to this philosophy. However, it is quite obvious that this mode of thinking is immature. It resembles a caricature of Nietzsche’s übermensch that people often tout as profound and enlightening. Such immaturity begins to be expressed through the desire to possess and destroy another entity. This can be seen in Meruem’s battles against chess masters and Komugi. But even such relationships are unstable as we see Meruem destroy the chess masters and grow agitated by the fact that he cannot best Komugi.
Hegel argued that, at this stage of self-consciousness, one needs to observe another self-conscious entity to grow.

We can observe such growth from Meruem as he interacts with Komugi. He begins to notice the majesty and complexity of other self-conscious beings. He wishes to be recognized as a worthy adversary and he becomes angered when he mistakenly believes that she does not consider him as one. Hegel explained it could destroy one’s identity if others fail to recognize his or her self-consciousness. Like nations that need to be acknowledged by other nations to be a full-fledged state, self-consciousness needs to be recognized for what it is, which peculiarly makes it what it is. A nation was already there, but recognition makes it more complete.

Nonetheless, even such interactions can be toxic. Hegel believed that self-consciousness tries to be pure – detached from material objects – yet it is very attached to its body and others’ bodies. In order to show that they are not attached to such bodies, they try to kill each other. One can observe this from Meruem’s bid to wager his arm and Komugi’s life over a game of gungi. Surely, such violence is pointless.

If the loser dies, then the victor kills the person by whom they need to be recognized. Such insight led Hegel to write his famous master-slave dialectic. The victor keeps the loser alive so that he can have someone by whom he can be recognized – the master is dependent on the slave. This concept is quite revolutionary as it turns the usual thoughts regarding this relationship upside down – the master is the one who needs the slave, but the slave does not need the master. The slave shapes her ideas into objects and labor. Through this process, she becomes more aware of her own consciousness that is poured into her labor and the objects of her labor. Through such labor, she learns that she has a mind of her own. (80) On the other hand, the master sees the slave as a thing; therefore, he doesn’t get the recognition he needs.

Analogous to Hegel’s master-slave dialectic, Komugi the slave is confident in her own identity through her labor: gungi. We see her crying over the product of her own labor – her original gungi move– for it represents her essence. Meruem is destabilized by such confidence, since he had seen her as a mere thing rather than a self-conscious being. And once he begins to treat her as a self-conscious being he begins to contemplate his own identity – What is his name? What does it mean to be a King? In other words, he becomes more self-conscious.

Unlike Hegel’s odyssey, Meruem’s journey doesn’t end with the recognition that Mind or Geist is the essence of all reality and that our individual minds are parts of a whole that shapes and constitutes reality. His journey ends with the recognition that he can choose to be human, that he wishes to spend the rest of his life with Komugi. This decision isn’t so surprising if one realizes that Komugi herself is an existentialist figure. She embodies Heidegger’s argument that a worker who is absorbed in their work is more in touch with their Being.

anime characters kinda look like hairless cat people

Found the bugman lol. Nice cope in this post.

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>When they want to draw an intentionally white character, they draw them in a more realistic art style to make sure you pick up on the characteristics

yeah. can't remember their names, but in detah note when L hires those two international detectives, you can seen they have been drawn to be white - their faces are much more angular

Guys I think that Briget may be completely accurate.