Dragon Ball Super

Another chapter of the beloved successful and widely popular DBS manga is coming out next week! Everyone by now has seen the sketches and draft for said chapter, so what are your initial thoughts, hopes, and expectations?

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I knew Moro's new form would be a matter of getting used to. Just from the chapter drafts alone, I am already really liking his new form. I really enjoy the manga.

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Vegeta is 2-0 against Goku.
Vegito is stronger than Gogeta.
Kid Buu is the strongest Buu.
Super Saiyan 2 isn't a real transformation.
Yajirobe has the most potential of all the humans.
Cell has the most potential of any character.
GT is canon.
King Cold doesn't have any transformations.
Piccolo is not the real Nameless Namekian.
Maron is canon.
Cell regenerated from his Imperfect tail and is still alive.
Roshi isn't human.
The Red Ribbon Army is still active.
Gohan has the least potential of all the Saiyans.
Dragon Ball is soft seinen.

Broly (DBS) > *CHOK*ren

I really like how he has the other gems on his hands

FIRST FOR FEMALE ORE WAAAAAAA

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>Vegeta is 2
Stopped reading there

>Another chapter of the beloved successful and widely popular...
You forgot the commas.

>Vegeta is 2-0 against Goku.
>[AIMLESS HEADCANON]
good post

Not a single true statement here.

Enter CHADren.

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N I G G E R

Toyobros... Say it ain't so...

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Kek

Literally looks nothing alike and they don't share a single line. Also source for the bottom pic?

>mom I'm going to post it again!

>blatantly lying
>meltdown

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BASED

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Do you SERIOUSLY want to do this again, ToeiBITCH?

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Why do you sperg out every thread? Do you have nothing better to do?

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What did Toriyama mean by this?

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>CHADly is going to kill Moro

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Toyobros, don't stoop to the Toeirat's level.

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I wonder how much the post speed would drop if you and the animefag got banned.

>JIRENJIRENJIRENJIRENJIREN
Take your meds Foaz

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>FOAZFOAZFOAZFOAZFOAZ
Cachinnating voraciously.

>if you and the animefag
That is the animetard, but he's mindbroken so his whole life resolves around shitting on the manga.

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Fuck, meant to say mangafag. I need some sleep.

Fuck off.

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>blue hair
>not grey
>gay ascot
>faggoy cowlick
Fucking gay

guys, if Toriyama doesn't give a shit/accepts this, there is nothing that can be done.
Damn, now that I read this I realize how bad this sounds...

seethe

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Toriyama enjoys the manga.

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That's what matters, right???

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Seriously, why is Moro's new form such hot garbage? How can this franchise be so creatively bankrupt when it's just about adventure?

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>every
>single
>thread

>What is the difference between homage and tracing?

>Toyotaro, the author of the Dragon Ball Super manga, is often at the center of criticism because of his being too devoted to Akira Toriyama. Conceptually speaking, I don't find his job wrong if he reworked what Toriyama had previously done.

>You can see in the green example that Toyotaro retrieves a Kulilin tactic and has Frost use it. Why don't we feel annoyed even though the scene is familiar? The shots change, as well as the perspectives, starting from the same point of the master but reworking those graphic solutions. This is a tribute.

>In the example in red, however, you can see how he limited himself to copying the figure of Vegeta for this sequence. Here we talk about real "tracing", because it does not rework the figure, but the paro paro copy to the original of Toriyama, updating it with his style, of course, but this does not make it new to our eye, which perceives something already seen .

>How should his tracing work make Toyotaro a better author than Kai Makoto, for example, who had done the same thing with his characters, and was (rightly) accused of plagiarism? I bring you the example of some cartoons traced by Dragon Ball for the Cross Hunter manga, which also received a moderate success at the time, so much so that it even obtained a series of video games, before being deleted from the magazine in which it was published.

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>Is Toyotaro better than Makoto because he is allowed to copy? As long as dirty clothes are washed in the family, is everything allowed? This is what I ask of you when I jokingly create the now classic of the classic Copiotaro posts.

>Beyond the obvious shortcomings of Toyotaro, to which we can also postpone, as the complete author of a first work - therefore immature and inexperienced - there are evident difficulties in proposing something new to the public. And it's a real shame, as well as an artistic problem: because if you want to re-propose the same emotions, you should at least be able to.


>The differences between the two authors are remarkable. Toriyama's sign was vital. It literally throbbed off the page. The thickness of the line that changed, and highlighted the figures, the softness of the clothes, the wind that influenced the design, even the simple kinetic lines offered a visual spectacle to be amazed.
>Toyotaro offers a good performance for today's audience perhaps. His is a non-faded copy, but faithful to the original, but lacking a true soul, a true sign that makes it unique. Toyotaro's lines are all static and smooth, so flat as to be anonymous sometimes, nothing to do with the master.

>Forgive me if I made this serious post, from tomorrow I will come back to take your piss

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If you ask me, Toriyama should get more involved instead of just making the plot from pont A to point B

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Thanks for your cooperation

I agree. This is a sign.

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>Toeicucks are literal Mexican cucks
lmao you can't make this shit up