One Piece

Sounds better yes

focus heavily on the main crew and explore their psychology and give them character arcs that feel natural and guided by decisions that you feel would be in line with their character. have their arcs intertwine with one another and relate to some central theme of an arc. stop with the "worldbuilding" when "worldbuilding" just means hopping to candy island #321 to overthrow tyrant #50 oppressing group of people #103. i don't care about your huge wacky cast of shallow characters. give me something meaningful.

basically just become an actually incredible manga like hxh.

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That's beginning to look like a pirate manga, yeah.

get rid of sanji

Don’t ever write anything

>Logia and Zoan
>Paramecia stays
0/10
Shit suggestions, see me after class.

you forgot
>delete devil fruits

Too bad, I already finished writing one novella and 70k words in my first novel. Keep seething shounenbaby.

>focus heavily on the main crew and explore their psychology and give them character arcs that feel natural and guided by decisions that you feel would be in line with their character. have their arcs intertwine with one another and relate to some central theme of an arc.
One Piece has done this way more than HxH for way longer. Just look at arcs like water 7/ enies Lobby. HxH barely develops characters like leorio and chucks Gon aside the moment his deconstruction is complete. Of course you reach a limit at some point and thus the ffocus has shifted from the main crew since only endgame stuff remains for their arcs. Still a way better job than HxH. The side characters are also developed in better ways without relying too much on internal monologues and narration.
>stop with the "worldbuilding" when "worldbuilding" just means hopping to candy island #321 to overthrow tyrant #50 oppressing group of people #103
It doesn't mean that at all. every bit of worldbuilding has meaning and themes if you look past the surface.

Scrap wano and the main samurai group (tobi rapo? idk) and no more japan circlejerking. Start over from the end of REVERIE greatness

Why are you pretending to read the series?
>basically just become an actually incredible manga like hxh.
Lmao, embarrassing.

End the disasterous Wano shit as quickly as possible, and begin writing the final arc of the series, or at the very minimum, the penultimate arc. At this point, the only way to salvage OP is to let it finally end with what small dignity it has left. Naruto and DB/DBZ at least had the good nature to conclude their original stories before shamelessly cashgrabbing with sequels so as not to taint the original work. Oda is shitting on his life’s work.

>Just look at arcs like water 7/ enies Lobby
aren't these like 400/500 chapters in? hxh doesn't even have that many chapters out and it has more characters having undergone more development. this works against your claim. one piece is god awful at this. just awful.
>every bit of worldbuilding has meaning and themes if you look past the surface.
one piece is a boring shounen that explores its themes in a boring shounen way

i didn't pretend to read those 300 chapters of awful awful recycled story telling

Get rid of like 90% of the characters. There's too many fucking characters, Oda has no fucking clue who to focus on.

I honestly don't think it can be fixed starting from this point, most of the stuff that should have been done would have had to be done years or decades ago. All the stuff now is pretty generic and rushing to wrap up all the plotlines until the conclusion.

This. Nobody cares about horrid looking side character #498548

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Just end it already, stop milking money Oda

That's a fair criticism. Too many instances of 'who is this character again?' going on, especially in Wano.

>aren't these like 400/500 chapters in? hxh doesn't even have that many chapters out and it has more characters having undergone more development
No, it's just one example of an arc that
give them character arcs that feel natural and guided by decisions that you feel would be in line with their character. have their arcs intertwine with one another and relate to some central theme of an arc.
Many arcs do the same thing. Almost all the strawhats introductory arcs are a good example as well.
>one piece is a boring shounen that explores its themes in a boring shounen way
I see, you're still in that phase. nothing to say here then. Still haven't grown out of the being impressed by shallow subversions. nothing to say here then.

Based user

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Or at the very least he needs to stop introducing new characters. Nobody gives a fat fucking shit about Oden, Oda you hack.

Isn't that because you're just a speed reader?

No. I remember everything every time and my brain is massive and you're a retard.

So quit being a faggot.

This. OP is actually one of the worst repetitiveness in any manga I've read. It's lazy and immature.

Extremely shit suggestions.

Oden is fair enough because Oden shares a similar position with Montblanc Cricket where he is really important to the history of the current situation, but Big Mom and Kaidou's crews are the blandest, most forgettable shit characters introduced so far. Remember Bobbin? Yeah me neither.

>how to fix a series that is nearly finished
????

Neck myself

Oda said yesterday on twitter that we have officially reached the halfway point of One Piece.

The shounenbaby cannot comprehend One Piece's structure, which is so complex and significant, only ancient mathematics can properly delineate it:

en.wikipedia.org/wiki/Mandelbrot_set

Where the shounenbaby sees repetition, the soft-Fractal Chad sees a David Foster Wallaceian engraving of symbolism, patterns, and Jungian archetypes that form an infinitely evolving yet self-contained structure.

Where the shounenbaby sees cliche, the soft-Fractal Chad recognizes the holomorphic quadratic differentials converging on the Riemann surface that is the root of One Piece's narrative. (An imperative bed side guide for every soft-Fracal OneChad reader, 2020 edition: people.math.harvard.edu/~ctm/papers/home/text/class/notes/rs/course.pdf.)

Where the shounenbaby laments seeing a development he saw before, slave to his fear-based impulse for senseless novelty, the soft-Fractal Chad sees coiled spires softly etching into the Geist of the narrative in the way God's hand weaves beautiful circles into tree rings.

Reading One Piece is part Philology, part Dendrochronology.

The story of One Piece encroaches upon that infinity that Guy Davenport said can only be converged upon by the greatest poets:

>[One Piece] is at the edge of our consciousness of the world, finding beyond the suspected nothingness which we imagine limits our perception another acre or so of being worth our venturing upon.

It is honor to be a soft-Fractal OneChad. Will you take the pill or be stuck in shounenbaby purgatory?

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I like Oden

>Oda thinks he's going to live 23 more years

Bullet to the head

That was the timeskip. He said that we're reaching the final saga.

But, then again I am also a dumb nigger that’s too lazy to be a tripfag, so what do I know?
Now if you’ll excuse me I’m off to watch my girlfriend get fucked by Jamal.