Kimetsu ended, Haikyuu ended, Yuuna ended, The Promised Neverland ended, We Never Learn ending, One piece ending in 5 years.
I think they should change the schedule for all manga after they hit chapter 50 to get a break every 4 weeks like Oda does. That way they won't break their veterans down and they may be more willing to come back.
Hire more pedos
So they still have 5 years to come up with something.
All these moronic "hurr WSJ is doomed" threads reminds me of the "hurr Nintendo is doomed" threads. The magazine has been going for over 50 years and went through much more difficult phases than they do now.
>save Jump
Save from what? The axebowl is the best part of Jump so the more participants it gets the better it becomes.
forgot act age axed
this is easily the second worst.
>One Piece ending in 5 years?
Can retards stop believing Oda's shitty estimates?
He said Wano would begin in 2017/18.
It began in 2019.
>wsj will be featuring western work in your future
This will either be the end of them or save them. I'm guessing when it fails, they'll entirely rebrand WSJ.
Their current editors are failures and every newbie has been a disappointment for years. The whole Samurai 8 debacle basically proves they have no sense. If the editors can't properly direct series they're just hoping to get lucky with a mangaka talented enough to direct themselves and ignore their bad advice.
Good. If that gives the axebowl more fodder then I'm all on board with their current editors.
If editors are supposed to be directing series then they might as well be making manga themselves. Everything new is just straight up trash, editors have no choice but to take what they can get and hope something sticks.
More fujobait
More fanservice
Have more toilet scenes in their manga, especially if they show the character actually using the toilet.
Gay vampires has got you covered.
>Samurai 8
What the fuck were they thinking, seriously?
That's what they have been doing for decades though.
Newbie editor fucked up. Not the first time it happened. Won't be the last time it happens either.
>fire all current editors
>make finding really good new mangas important
>make mental checks to every worker so you dont hire pedos like the act-age writer
the fuck is your problem with Rin? He's one of the best they have currently.
Whatever they were thinking, the result was a legend that will be spoken of for years.
>mangas
opinion discarded
It's not even the editor's fault, they always do the new editor/old mangaka combo.
The problem here was Kishimoto's ego so no one can even breath to him.
I’m not ready to take the fujopill. Are fujos really gonna save the anime and manga industry? How the hell are they spending so much money?
He is Jump+ editor who is only in WSJ because Fujimoto wants to continue his partnership. Same with Tamada/Hatomune (until now)
Nah, the interview with the editor made it pretty clear that he was at fault. He didn't challenge Kishimoto on anything, he was starstruck.
>really gonna save
They saved it already, mashle is the first series since squid8 to even rank in oricon, and it's thanks to them.
Was the Sam8 editor a newbie? That's an idiotic move on their part, of course some young guy just starting that probably grew up on Naruto wouldn't have the ball to tell Kishi how bad his ideas were. He even bragged on how much freedom he had compared to when Naruto started.
Pairing up newbie editors with veteran authors has been the way of WSJ for decades now. It just blew up in their face this time.
It's a meme, bro. Fujos are like any other otaku, they don't keep afloat multiple series at time if they don't like them.
Take Agravity, everyone agreed that it was a manga tailored for them and look at the ranking.
Truth is nobody knows the secret of success, a new hit can be something no one expects.
>He didn't challenge Kishimoto on anything, he was starstruck.
That's japan for you though, it's their culture of
>I'm far more important and have been working here a long time so you may as well not exist
Are there any other examples of newbie editor+veteran writer, and were any of them successes?
>it was a manga tailored for them and look at the ranking.
That one is easily explained, it aimed at guys instead with Chris being basically a trap. That kills fujo interest super fast.
They only spend in gacha nowadays
>It's a meme, bro
KnY I think. But Katayama was kinda newbie back then. Oh AA but well...
Maybe it's time to do a good subscription service?
>haikyuu ended
Did he become the hokage of volleyball or king or whatever?
Fuck I misread the question I'm a fucking retard. I know there's newbie editor+newbie writer that works tho, Mashle
Not really. It has an all-male cast, come on user.
And traps (or even just cute boys) are fucking everywhere.
>make finding really good new mangas important
That's literally been their top priority for decades and decades, dumbass. Their standards are different from yours or ours.
I know that’s it’s a tradition but it seems like a dumb move on WSJ’s part. Wouldn’t it be better to pair an older more experienced editor with older Managaka so you that it doesn’t result in a situation with the newbie being overruled and just being a yesman to the mangaka?
It mostly worked in the past and S8 was one of the rare failures from this practice.
>It has an all-male cast, come on user.
And most of them lust after chris, who is also used as fanservice.
And there's a clear cut difference between trap and cute boy, including the target audience.
No. You are focusing too much on Sam8.
The magazine has been running for decades with this model and with great success. One failure doesn't undo that.
The idea is that newbie editors learn from the veteran authors, and vice versa.
No because like that user said, they've been doing it for a while but it just blew up in their face with Sam8. It works most of the time.
should pair newbie editor with veteran during the peak of popularity of manga. At least they could learn better imo. pairing them to start new series not gonna work imo.
That would ruin the momentum of the manga at the time. If it ain't broke don't fix it
In the short term, they have a couple of releases lined up but none of them seem promising. In the medium term, they may be trying to call all their contacts for veteran authors and artists to get something but I am betting they have nothing and they are banking on finding a gem somehow in their next lineup or find talent. It's going to get harder in the future especially when the shrinking population means it becomes that much harder to find talented people out there that can meet the standards WSJ had set out.
The radical thing to do in the medium term that gets discussed a lot is fast track a deal and move series from SJ+ to the main magazine just to try to see if it translates well enough. I would be hesitant to do Spy x Family since that is SJ+'s crown jewel and making it worst just to be weekly along with basically a blank check of sorts as far as editing could doom the series for readers and probably is a non-starter of any sort. But there isn't anything else that can really save the main magazine if they don't do that. The only other long term solution is to lower standards on SJ+ and flood it with everything and pick out the diamonds that the readers like. But readers wouldn't like being guinea pigs necessarily and not having duplicates and competing series would be difficult to manage with a flooding tactic like that. But hey, at least I don't have to worry about all the above and figure out stuff that's out of my paygrade.
>should pair newbie editor with veteran during the peak of popularity of manga
No. But what they should do is have a newbie and a veteran editor, so the newb can learn from the veteran.
>they never showed her sitting on the toilet
No wonder the manga was axed. It wasn't a coincidence that the manga died about two months after this. If we saw her sitting the manga would have lasted longer.
ALL of them have fanservice scenes and such, if the cute/trappy one of them became the most popular (and we don't have an official ranking so we don't know for sure) doesn't change the initial intention of the author which was attracting a girl readership first.
it did work tho
>everyone agreed that it was a manga tailored for them
What the fuck did he mean by this. Do you think any manga with more than one (1) male character is fujobait?
Agravity was nothung more than axebait. Fujos were never interested in it. Nor was anyone else for that matter. Shit art, shit characters and overall boring.
They should just publish my genius ideas
Retard. Magazines are dying, why would they gimp their growing digital platform? If anything new WSJ series will be parallel published on Jump+ like what's happening with WYJ series like Oshi no Ko, 100GF and Kubo-san wa Mob etc
I gave it a look and I think I see the problem. Of the 4 guys in the cast only two really have fujo appeal. I don’t think that one guy really screams trap nor do I think it’s a total turn off for fujos but in a crowded market it just doesn’t have immediate appeal. Women are also less drawn to sci fi than fantasy.
Moving from SJ+ to WSJ would be absolutely retarded. Print is dying, why bet on a dying horse?
Honestly I thought AB was going to die before Mitama since Mitama seemed to be shilled more.
Share them.