Who is the best Aikatsu goth?
Mewkledreamy, Prichan, AiPlanet
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All 2D aipla had a ton of potential.
Sumire is so cool you guys.
>cute!
>ded
>loser
>has a (girl)friend
>dies from a strong breeze
>has a wife
the choice is clear
How did they get away with this?
Maika is afraid of ghosts
Cute and her dead sister in a two for one deal?
Shh spoilers for the ainon who's still watching Friends.
He wouldn't even know who those characters are.
spoiler alert: gay stuff happens
>/ai/
and thirsty for fluids
Ema's stage reminds me much of Kii's
The Friends changing sequence may have been a bit overkill, but I loved the way the girls did their poses with the cards. I wonder what they have in store for Planet then.
Why are all Goths gay?
I enjoyed that too.
Most idles are.
My favorite aikatsu idols.
>Sumire
>gay
She may not be turbo gay like the other ones but a lonely autist like her probably confuses her friendships for complicated feelings.
Cute
Hot.
I want to be in Akari's position.
Please come to visit me next.
Why are idles wearing other idle's uniforms so sexy?
Sumire is easily swayed by older men
I am Sumire.
I'm bored. Give me girls from Pretty series. I'll describe how they like to masturbate.
I am Ako.
en.m.wikipedia.org
> Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871–72),[1][2] the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist. Though some have said that the book depicts homosexuality as an antagonistic trait, it is never specified as such in the book, and the homosexuality is subtle and never really discussed. The story is often anthologized and has been adapted many times in film and other media.
>Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardour of a lover; it embarrassed me; it was hateful and yet overpowering; and with gloating eyes she drew me to her, and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, "You are mine, you shall be mine, and you and I are one for ever." (Carmilla, Chapter 4).