How does one studio manage to peak so many genres?
K-On peaked CGDCT/moe.
Hyouka peaked SoL.
Clannad peaked drama.
Hibike peaked musical anime.
Violet Evergarden peaked episodic drama.
Not to mention they're the most fashionable studio.
How does one studio manage to peak so many genres?
Hunter Martin
Blake Jenkins
K-on was boring and not even the best cgdct
Hyouka was boring
Clannad was mediocre (Afterstory was good but not worth the 20+ ep snoozefest that is the first season)
Didnt watch Hibike but looks boring
VEG was forgettable overrated melodrama
What do you expect from a studio that is over half women
Tyler Davis
K-ON is their best work. Shaft is better as a studio.
Samuel Hernandez
behead those who insult kyoani
Adam Johnson
Yes.
Owen Barnes
>K-on was boring and not even the best cgdct
>Hyouka was boring
Sorry you have ADHD
>Clannad was mediocre (Afterstory was good but not worth the 20+ ep snoozefest that is the first season)
I will concede clannad was not the best, After story however is one of the greatest dramas of all time>Didnt watch Hibike but looks boring
Opinion on something you don't know is retarded
>VEG was forgettable overrated melodrama
Fuck you no it wasn't
Noah Hill
Whats your favourite cgdct user?
Bentley Perry
yryr
Caleb Lewis
I'm not sure exactly what it is that Haruhi peaked, but it was something. Especially Disappearance.
Parker Martinez
>K-On peaked CGDCT/moe.
Leo Collins
Not him. There's a three way tie at the top of the CGDCT power rankings between K-ON, ARIA and Non Non Biyori.
Colton Moore
>Hibike peaked musical anime.
That's Nodame you imbecile
Christian White
When talking about CGDCT/Moe, Strawberry Marshmallow outclasses K-On!. As does Hidamari Sketch. Hell, I hate the Azumanga Daioh anime, and it still takes a shit on K-On!. This isn't even talking about shows that follow after K-On!, and there are too many better series' to list, and a good chunk come from Dogakobo.
Aaron Perez
Tamayura>K-On
Xavier Adams
Doga Kobo has made many very good SoLs but never a great one. They're amazingly consistent at making very good SoLs with great animation.
Luis Hughes
Nozaki-kun was one of the best shows in 2014, and that year was stacked to the Heaven's with fantastic shows. I liked the chemistry GJ-Bu's cast had more than K-On!, and that goes double for New Game. Love Lab had significantly better animation. Yuru Yuri was different enough from the manga to be its own experience without overshadowing the source.
Andrew Harris
Love Lab would have been better without male characters.
Liam Perez
Now this looks forced.
Jason Price
Based
Cooper Clark
they went so high the sun brunt them out
Wyatt Peterson
pls no joke
Jason Harris
-"moeblob (different from moe) in the form of slice of life"
-sex-less worlds
-ersatz purity/innocence
-shallow histories covered in layers of pseudo intellectual existentialist ennui
-predates the dead end street of mainstream anime.
Ian Price
... symbolic death thanks to an arsonist
Jaxson Nguyen
The fires that burn twice as bright burn half as long.
Aaron Price
fuck off
Tyler Torres
>K-On is objectively the worst CGDCT of all time.
>Hyouka is the most boring anime ever made.
>Clannad is manipulative cryporn for emotionally retarded subhumans.
>VEG is pathetic soap opera for emotionally retarded subhumans.
So, should I assume Hibike is also absolute dogshit?
Brody Gomez
If you're going to bait at least use good examples like Haruhi, Full Metal Panic and Amaburi
Daniel Lopez
Using those titles WOULD be bait though. FMP was entirely forgotten, Amaburied is great but not on the level of the other titles but Haruhi could fit in there somehow, I guess.
Mason Anderson
>K-On peaked CGDCT/moe.
Not true, Azumanga did that.
Isaiah Wilson
oh and Azumanga also peaked SoL.
Landon Martin
Their last good anime was hyouka and that was more than 5 years ago. Both Hibike and Toiletto Evergarden was meh.
They never made K-on S3, Haruhi S3 or Hyouka S2.
They decided to keep pumping out bullshit shows like Free and Tsurune.
They deserved the fire.