A guy from Chile and a guy from France have a higher chance of getting their Manga published in jump than an American...

the chinese aztec one was pretty cool

Pretty sure they made their choice based on the work presented, not the race or country of origin of the entrants.
It's simply a case where the winners were chosen because they best executed the kind of works WSJ want to publish, nothing more and nothing less.

The 19 and 23 years old already draw better than most WSJ mangakas. What is there to look down on?

Weird tho not a single american got in

Cause Americans can't do shit without forcing their political believes

Why is that weird? The world is a big place and it was an international contest. If you meant english speakers, an Australian got an HO.

Most Black weebs have a.pattern when they make their anime, it's some really shitty version of DBZ or Naruto but with black people taking down some evil businessman, basically the shit you see in modern capeshit comics but with some guy that thinks Boondocks and Avatar are anime.

Try doing that with weekly schedules. You'd see them axing their own series before a year

N

I read Armados and the art is very good but the story and sudden developments made it hard not to cringe

Ingen

Isn't that why teams exist anyways? The mangaka draw chicken shit doodle scraps and the team fixes it.

What Shueisha doesn't understand is that the majority of their viewers will refuse to support international made manga because it takes slot away from Japanese creators.

Based Mexican manga written by a french guy with a native american name.

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And? it's a one-shot contest dude, and most likely they couldn't afford assistants to help them

this is why the frenchman doing Radiant only releases a couple of chapters each year.

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I'm pretty sure Shueisha understands that very well, user. That doesn't mean they can't spare a spot to someone who proves they can make something that even has a chance. It's not like it costs Shueisha much, really. The potential gain is high and the cost low.

No first rate mangaka worth their shit lets an assistant outline their characters.

Why do mutts bring up blacks all the time? So glad America is a weak shithole nowadays.

Not manga, it's a french comic made and released for and in france, which is then localized for japs the same way we get manga.

I

>Toriyama was one of the judges for this
>He probably had to read a shit ton of black DBZ wanna be stories done by black weebs
God I feel sorry for him.

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>not manga
>series is read from the right to left
>has an anime
Sad to say it's manga through and through, despite made by a frog.

user I hate to break it to you but I doubt the mangaka read many entries at all, only the ones that made it past the filters of what medibang decided was worth translating and then what the editors running the competition deemed worthy of the judges time.

>Radiant (Japanese: ラディアン, Hepburn: Radian) is a French comics series written and illustrated by Tony Valente. It has been published by Ankama since 2013 and currently has 13 volumes released in French. It was later published by the Japanese publisher Asukashinsha in 2015, making it the first French manfra to be published in Japan

Nice argument you got there user, too bad google exists.

China, Chile, Brazil, France, Austria and Korea. I can't make out the one on the bottom left. Anyone knows?

Another chinese. Also it's australia, not austria.
twitter.com/WSJ_manga/status/1334410706406551552?s=19

when did WSJ allow foreigners to enter these contests? are they really that desperate for another hit series?

Never mind, found it. It's Hong Kong.

Well since google exists might as well look up manfra then user? Besides that, what other "comics" does right to left aside from manga?

Illegally?

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The katakana says オーストリア. There's no ラ there.

>when did WSJ allow foreigners to enter these contests?
Since they made and promoted this one. It's a one-off, and separate from the regular Jump Tezuka.
>are they really that desperate for another hit series?
Jump specifically is constantly scouting talent and always was, for longer than any of us has been alive. It works because their standards are incredibly high and if the work doesn't perform then they just boot it and give someone else a shot.

I'm glad you admit you want Japan to be the next American shithole where culture goes to die but the Internet makes that entirely pointless so you couldn't even justify it except with the idea of multinational corporations getting richer at the expense of everyone else.

I dunno, would something like monthly digital only manga-drawn-by-foreigners magazine affect anything?

>Manfra are French bandes dessinées that draw inspiration from Japanese manga.

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Those weren't the ages I was looking down on. Also most people's art is different in their one-shots vs. their serialized stuff.

Is that why Togashi has been putting HxH in Haitus?

the brazil one has more fan service than the others

It's probably a pride thing for him.

For all you know they aren't even interested in actually releasing stuff for the Japanese audience but rather exclusives for their growing international markets.