It should’ve won instead of Inside Out

I love how they spend the whole thing make you feel absolutely sorry for him, and then turn him in to a huge fucking asshole right at the very end.

I really like Anomalisa but Inside Out is honestly the last good pixar movie and it could have gone either way. Not like Frozen winning against The Wind Rises

The Wind Rises wasn't that good. It's literally a fan fic.

never saw it that way

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>The Wind Rises is a fictionalised biographical film of Jiro Horikoshi (1903–1982)

en.wikipedia.org/wiki/Jiro_Horikoshi

In general, he lived a pretty unremarkable life.

Anomalisa might be my least favorite Kauffman movie. It starts off so promising and I like some things it does but it's far too slow and boring. The premise screams pretentious although apparently it's depicting some disorder so okay then.
Anyway, I'm not really a fan, Inside Out was unironically better, call me a pleb or whatever.

the worst was princess kaguya losing to ben 10. takahata-sama's last work, and arguably his best. rip in piece. ;_;

>the worst was princess kaguya losing to ben 10.
I don't follow oscars, are you for real?

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So boring and I enjoy boring movies like Michael Clayton

The best stop motion sex scene since Team America (note: the only two sex scenes in stop motion film history).

There is no reason for this to be animated.
You can make the same movie in live-action and nothing would change.

is team america stop motion? i thought puppeteering didn't count

I think they meant Big Hero 6

>DUDE HAVING A DECENT JOB AND FAMILY IS BAD! WE ALL ARE LIVING AN EMPTY LIFE IN A MACHINE REEEE WHAT HAVE WE BECOME!
>From the rich jewish director who does cocaine and fucks sluts
People like this should be stranded on an island for a year to fend for themselves.

Even tho this film its as boring as you can get, if you still bealive in the Oscars as a fair and square
you are quite the r-tard OP

Yeah like I know it’s not exactly his fault he’s got that mental thing but man is he an asshole

Yet another film by puffed-up self promoter Charlie Kaufman. This one, obnoxiously titled Anomalisa, was directed in tandem with a fellow named Duke Johnson, so I maintained some small hope that it will not be the typical Kaufman black hole of creativity. That is, until the movie started. Kaufman has apparently taken it upon himself to forever ruin stop-motion animation with his adolescent musing on conformity or whatever this unwatchable mess is musing on. Kaufman is no Wes Anderson. He is not even an Art Clokey.

Considering the "message" of this film I can only arrive at the conclusion that it masquerades as a plea from Kaufman for his fellow human to please, please see the common man as an individual. A noble thought, were it not so obviously falsely proclaimed from Kaufman's exalted position as "teller of important things." He does not care, nor has he ever cared, about "common" people, nor has he ever taken the time to see them as the individuals they so profoundly are. Kaufman is an elitist in the most despicable sense of the word. His condescension (and misogyny! Don't get me started!) is beyond rehabilitation, and I would venture to say that his fancy designer shoes have never touched the pavement upon which regular folk have trod.

He is a poseur of the most odious sort, beloved by beret-wearing graduates, who, in their nescience (surely they are so nescient they don't even know the word nescience! Ha!), believe they are championing something incisive, something original, something "genre-bending." Have they never read the work of the brilliant, groundbreaking Italian playwright Luigi Pirandello, from whom Kaufman regularly and benightedly cribs?

I think not.

Shit take. The use of puppets sells the entire concept of the movie better than live-action ever could. You'd have to use some CGI or something and it would be extremely off-putting and distracting.

Team America is not stop-motion.

You're misreading of the film is so pathetic that I find it hard to believe you're being sincere. The problem in Anomalisa is not with society, it's with the protagonist. He is a misanthrope of the worst kind. He has a great job and family, it's not society that is empty, it's him. He is empty. His perspective is not one we are supposed to take seriously from the film, it's one we should avoid.

And claiming fucking Kaufman of all people is doing coke and fucking sluts is laughable. The man is a self-loathing anxiety ridden neurotic. The type of guy afraid to approach girls at parties. He's been married since the 80s and has a kid himself, he avoids the celebrity life more than anybody in Hollywood.

Don't think he was supposed to be likable. Don't think the lead character was even supposed to be literally suffering from a mental condition, it was just a metaphor to represent the way that he perceives other people as inhuman. He doesn't view people as unique individuals, but I don't think he's meant to be literally psychotic. He's pretty unlikable right from the start, attempting to have an affair while he's away from his wife pretty early in the film.

>Zig Forums getting filtered this hard
Jesus christ, I know this board is retarded even by Zig Forums standards, but come the fuck on.

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