Besides France of course why are they mostly incapable of making good animation/comics with such a large population? Even Canada pumps out more good cartoons somehow.
Besides France of course why are they mostly incapable of making good animation/comics with such a large population...
Carson Butler
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Jose Campbell
They slobber America's media cock but pretend that they don't like it, France is the only country in the EU that genuinely doesn't enjoy American media which is why they produce their own shit. They're based like that.
Andrew Phillips
Is Europe so far behind the ball on entertainment because they spent so much of the 20th century blowing each other up?
Jason Wright
they make fantastic comics, much better than USA. They don't make good animation because they can't afford it, but Cartoon Saloon and a few other studios are still doing good work.
Jace Phillips
They did until like the 90's
Cameron Taylor
>animation
My guess would be that animation is expensive and most EU countries don't have laws that mandate a percentage of programming to be made in the state like Canada and France do. Sometimes nice cartoons are made though.
>comics
I'd say the two sides of the Atlantic are more or less on par regarding the production and quality of comic books in general. If we're only talking DC/Marvel most European productions blow those out of the water.
Cooper Evans
The work required to work in an animation studio violates EU labor laws.
William Cook
Cartoon Saloon isn't the only one but is certainly the best.
Pic related, a recent Italian animated movie
Hunter Hill
Because Germs devote all of their energy and sub-par imagination to destroying Europe and expanding their diplomatic and economic hegemony; cultural victory is for nerds.
Thomas Allen
I notice only europoors say this and only on Zig Forums at that. I've read a few european comics myself and "blow those out of the water" is an exaggeration of a lifetime. I'd say they're just more consistently good, while US comics have lower lows and higher highs in terms of quality due to the nature of the revolving US comics industry as opposed to Europe's more static industry.