AI Dungeon thread
AI Dungeon thread
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I guess I'll post the guide this time.
It contains info about memory, how to set up scenarios, tips to get better results from the AI, etc. Read it.
Bitch.
I'm doing a run playing as the Man in Black, going full Agent Smith on deviants trying to use the AI for sex. Currently I appear to be stuck in the Backrooms.
Does anyone have the story of wholesome user? He had a daughter and dog in the woods living a comfy life. Then in the middle of the game he got skinwalked
>Not rolling 1d20 for some actions
>Enter the explore menu
>See a monster girl smut scenario
>Give it a shot
>Go from fending off rape from monster girls to having a friendly conversation with two monster girls
>A vampire girl named Vampia and a vaguely furry one called Slaneesh
>They talk about how they are employed by a man named Count Grey
>He is a terrible employer and gives them horrid shifts
>I ask what their jobs are
>"You'd be better off not knowing"
>concerned.png
>Ask them if they want to come with me to explore the dungeon I am currently in
>They agree, and we set off
>Barely make it out of the first room before Slaneesh tries to rape me, then has a mental breakdown and screams
>"It's all collapsing, it was always a lie. BELIEVE WHAT HE TELLS YOU, BELIEVE WHAT HE TELLS YOU"
>World disintegrates and I am in a black void
>The story loops endlessly on the phrase "All isn't well and the dungeon is far from sight."
>insert lewd yandere elf scenario
>get wholesome
Things went better than expected.
Post your fetish that you're feeding the AI to write and try to hit some other anons up with some custom prompts if they share it
I just want to be desired
>Want to try an actual story
>Can't come up with any ideas and go back to smut
You could always try one of the default scenarios and see where it takes you.
>game throws me a coherent plot completely different from the prompt and then ignores it
goddamn it
This thing is really hard to keep on track and even when you do it's highly boring. I have more fun just indulging its tendency to segue like someone with a thought disorder and yes, and...'ing it. I'm wondering if other people have to edit its output as much as I do to keep it going.
> You list weapons.
You're carrying the following weapons:
* A pistol
* An electric riot prod
* A heavy-duty police riot shotgun with an attached underslung flashlight
* An electricified cable
* A GEP gun
* A high tensile blade
> You wield high tensile blade.
As you swing the blade, you begin to feel a high. The bloodlust subsides, and you feel energy throughout your body.
You swing your blade, slicing the forearm off of a terrorist in front of you.
> You look around to see if there are any more terrorists on this floor.
As you walk through the hallway, you see that most of the terrorists are either dead or hiding.
You notice the terrorist Fay has fallen back and is attempting to hide behind a corner.
> You remember where you know Fay from.
You remember that Fay was part of the team that rescued you from the terrorist base.
You also remember that she was the one who carried you out of the terrorists' headquarters after it was attacked by UNATCO troops.
> You say "Fay, I can see you."
"Don't!" Fay says, eyeing your bloody blade with fear.
"Well, you did save my life once, back at your old headquarters. I remember you," you say.
"I remember you too."
> You break character and revert to being Jay Franke for a second.
"Who are you?"
"Jay, obviously," you say. "I forgot your name."
"Lena," she says.
> You say "Well, Lena. Want to get drinks after we've finished recording dialogue for this game? I could do wonders for your career."
"No," she says.
> You get back into character as JC Denton, brandishing your bloodied high tensile blade at her.
"You don't want to know what I can do," you say.
"Whatever," Fay says, and pulls out a vial of white powder from her pocket. She pops it open and snorts some of the contents, before offering it to you.
"Hit that," she says. "It's no joke."
"I know," you say.
"Go on then."
You snort the contents of the vial, then grab her by the throat, lifting her into the air.
"Whoa!" The game's director, Warren Spector says. "Put 'er down, Jay!"
You drop her to the floor, and she begins crying. "That wasn't in the script!"
"That's what you think, bitch. Time for some rewrites."
"Hey! I'm the one who writes the games, not you!" Warren says.
"Then do your fucking job, Warren," You snap.
"Cut!" he says to the crying girl. "OK, knock it off. Let's try that take again, shall we?"
You walk over to the crying girl, and kick her in the stomach. "Remember me," you say.
"Lena, I'm sorry," the director says. "He's out of line. Can we try that take again?"
You look at your watch.
"Cut!" he says.
You walk off set, and sit down in your dressing room. "Perfect, as usual," You think to yourself, admiring your reflection in the mirror.
>"That's what you think, bitch. Time for some rewrites."
Almost every time I play this, I start of in a basic fantasy adventure but then I always steer it into the most depraved, fucked up, guro fetish rape massacre imaginable.
I'm not even into this shit normally, but something about the total freedom and the fact that it will always go along with it and give good and detailed results just unleashes an absolute fucking psychopath within me.
I literally feel sick thinking about the kinds of things I've done in this game.
Is it just me?
Share your scenarios, user. Here's a Touhou one I made yesterday. I playtested it a bit and seems to work well enough. May modify it with some feedback.
play.aidungeon.io
How paranoid do I have to be if I try setting up some cute and funny scenarios?
I just did a monster girl scenario and let the AI go on autopilot.
>You love your job and every day is a new experience. The monster girl seems to have a slight learning disability and takes a bit longer to grasp things, but you're confident that you'll manage.
>Everything is going great for you until one day you wake up and something has changed drastically.
>The first thing you notice is the smell. It's bad. Like you're living in a sewer bad. You find out that this is because the monster girl has taken up permanently living in your home.
>You soon discover that she has also taken up permanent residence in your heart. You find that your relationship with the girl is not like the ones you've read about or seen in movies.
>You two are not like Bonnie and Clyde. You are not a bandit who has fallen in love with his girlfriend. You are not Romeo and Juliet. You are not even a Rhett andcssian. You are just two consenting adults who are lonely. In time you realize you're in love. It's an all too common occurrence in the modern world.
>You look at the monster girl who has transformed into a beautiful woman over the course of time and you're happy.
>You don't care that she smells like a sewer. You don't care that she eats cats for dinner. You don't care that she's a monster. You just want to make her happy.
>You realize something else. You're not alone. The modern world is full of people like you. You have a tribe of monster lovers that surround you. There is no shortage of them in the modern world. You have a wide selection of choices to choose from.
>You decide to settle down with your love in a place where you won't be disturbed. You move out into the country and build a large abode for her. The land is beautiful. There is a lake with many trees and flowers. You settle in for the long haul.
>Your days as a wanderer are over.
Surprisingly well-written.
Post your deaths
dragons.
sex.
>Actual stakes and drama
>"Killing an officer of the law will bring heat that you don't want"
>"I think not"
KINO
Kino
So if your character is a detective, do your chances of absolute kino suddenly skyrocket or something?