holy fuck
its a fucking index. will there be a bibliography after this?
Study and purpose of the ClownWorld Meme, and PLAN!
Joseph Morris
Xavier Garcia
Kike plastic surgeons kiked her lips, and convinced her with kike pornography. She's been ZOG'd. We'll have plenty of resources to help her / it heal once we eliminate kikes, shekels, the Federal Reserve, Israel, AIPAC, Trump, the Clintons, Soros, Zuckerberg, and Google.
Jonathan James
The Trickster
The Trickster, often represented as a coyote is no fool. It seems they come from a time, in which there was no good and evil. There is a duality here that often gets expressed in the trickster god being viewed both as hero and villain. Jung has assigned his collective shadows under the name ” Trickster”. According to Jung, the Trickster is a figure whose physical appetites and senses dominate his actions and decisions. His thinking does not rise above his belly or his genitals. Frequently the Trickster figure exhibits gender variability, changing gender roles and engaging in frequent sex practices. Not understanding finer feelings, his responses to other people seem crude, self-centered, cynical and unfeeling. In some of the stories however, the his exploits bring transformation and he becomes a man instead of an animal. In the Navajo worldview, coyote sickness arises out of activities that distort social relationships like the breaking of a taboo or self-indulgence. It comes from contact with a storm, lightning, a corpse, or a substance outside the natural order of harmony and beauty. Or it comes from losing sight of the Holy Way, contact with ghosts, sorcery, or the intrusion of an evil force.
The Trickster as collective Shadow mirrors the basic ( personal unconscious) archetypes of the shadow experienced in individuation. That denotes the process by which a person becomes a psychological unity connecting two fundamental psychic aspects, the conscious and the unconscious. The Shadow is the easiest of the archetypes for most persons to experience. We tend to see it in “others.” That is to say, we project our dark side onto others and thus interpret them as “enemies” or as “exotic” presences that fascinate. We see the Shadow everywhere in popular culture. We see it in popular prejudice as well. Of course, Satan is the great Shadow image of popular religion. The Shadow is the personification of that part of human, psychic possibility that we deny in ourselves and project onto others. The goal of personality integration is to integrate the rejected, inferior side of our life into our total experience and to take responsibility for it.
Trickster delights in all sorts of pranks mischief and jokes but is not by nature evil, even though the results of his activities are often unpleasant. These activities centre on bringing attention to our own or other people’s often hidden stupidity shams or lies. The Trickster is a shape shifter and so has the possibility of transformation an alchemist and shaman. In mythology, and in the study of folklore and religion, a trickster is a spirit, man, woman, or anthropomorphic animal. In many cultures, (as may be seen in Greek or Norse with Odin or Wotan), the trickster and the culture hero are often combined. Odin’s Germanic predecessor, Wotan, was associated with Mercury (Hermes) by the Romans. Odin and Mercury often deceive and trick. In Native American mythologies, the coyote (Southwestern United States) or raven (Pacific Northwest and coastal British Columbia) stole like the Greek Prometheus fire from the gods. The trickster is thus an important archetype in the history of man. He is a god, yet he is not. He points out the flaws in carefully constructed societies of man and rebels against authority. Sometimes he pays dearly. Jung said once, ” unfortunately that the so-called civilization has forgotten the trickster”.
Cooper Powell
Trickster cont.
Throughout human history the mythological trickster, has played an essential role, the role of change of a therapeutic effect. In many myths the trickster brings a treasure to man, but is it really a treasure? All change has mixed blessings. When the Raven trickster of the Northwest Indians brings fire to the people is he a destroyer or creator? Looking back we say he brought a valuable change. But fire is also dangerous, a change that can and does destroy.
Satan thought as trickster may serve a crucial role. What if instead our understanding of Satan was influenced by the concept of the “trickster” figure, which seems to be present in the Hebrew Bible? Learning to interpret Satan as the ultimate trickster, rather than the embodiment of dualistic Evil, could end blaming the present reality on the metaphysical reality of evil or on the moral depravity of humanity.
For example, Satan in the book of Job leads Job to insights. The Satan who confronted Jesus in the desert in a way helped Jesus, in all his humanity, to assert also his own divinity. Jahweh did listen to Satan, as God did in the case of Job. Viewing Satan as trickster is not without problems, specifically the ambiguity that exists between Satan and God—an ambiguity that can find its full expression in the trickster figure. Rather than being God’s antithesis, God’s opposite, a certain ambiguity, if not complimentary position, is held by Satan. If Satan has no power except that given by God, we are left wondering whether evil can come from God, a proposition that the early biblical writers and ancient Church Fathers like Augustine raised.
Kayden Taylor
4 Archetypes Conclusion
Why Zig Forums's memes are so powerful.
According to the psychological model of C. G. Jung the archetypes originate in the collective unconscious, described as a repository for all of mankind’s experience and knowledge and are therefore not available directly — only its images and created patterns can become manifest as symbols potentially unlimited in number and variety. Symbols of God are the core of our culture being the universal patterns of myth, religious symbols and ideas. They can be employed very beneficial in life. I am neither especially crazy, or especially wise. Sometimes my job was to communicate complex issues to those who shuns, even hate it. Ideally I could get the Crazy Wisdom across with the headline, with a simple picture. I was the Jester on the court. Senior Managers were the Kings. The picture is easy understandable, isn’t it? Why? Because I don’t need to explain what a good King or weak King is or enumerate his virtues or deficits. We know it since thousands of years, Plato has written a long book about virtues of leaders.
Clown and Jester are paid to entertain or present. Fools and Tricksters unsettle. Foolish fools claim they lead with conventual wisdom.
“silence is the language of god, all else is poor translation.” ― Rumi
Thomas Evans
Types of Clowns
WhiteFace
The oldest of all clowns, the Whiteface can be traced back through commedia dell'arte and medieval court jesters to the theaters of ancient Greece, where comedic actors frequently painted their features white so they could be better seen.
The Whiteface is the big brother of the clowning world: in charge, a know-it-all, a straight man setting up the situations that other clowns, like the Auguste or the Tramp, turn funny. The customary features of the Whiteface include a full white face, red-and-white features (often quite beautiful and delicate), a colorful outfit, and a wig.
The Whiteface can be further divided into three groups:
The Classic (European) Whiteface,sometimes called the 'most majestic and beautiful' of the Whitefaces; an elegant clown, like the Pierrot or Harlequin of commedia dell'arte;
The Straight Whiteface, similar to the Classic but more colorful, more cheerful; and
The Grotesque Whiteface, similar to the Straight Whiteface in color and cheer, but zanier, with exaggerated features and clothes.
The Mime, also an elegant clown, known of course for not speaking but emoting through body language and facial expressions.
Famous Whiteface clowns include Frosty Little, Bozo the Clown and Ronald McDonald.
Hunter Watson
Auguste
The Auguste (pronounced ah-GOOST) is a mixture of Whiteface and Tramp — not so hapless as the Tramp, but wilder and broader than the Whiteface. He is sometimes the Whiteface's helper, almost always the brunt of his jokes, and certain to mess up any assignment.
The classic Auguste appearance is the opposite of the Whiteface, with prominent fleshtones and black-and-white features, a large ball-shaped nose, and extravagant mismatched costumes (oversized neckties, very small hats, etc.).
A common variation on the Auguste is the Contra-Auguste, sometimes described as an Auguste trying to be a Whiteface. He mediates the conflict between the Whiteface and the Auguste, often with funny results.
Famous Augustes include Cookie (from the Bozo Show) and Coco.
Ryan Stewart
make your fucking point OP
WHAT A CUNT
Dominic Morales
The Tramp
A uniquely American clown, some believe that the idea of the Tramp originated with the hobos who rode the rails during the Great Depression. The classic Tramp look a sooty face, with white around the eyes and mouth may refer back to the coal smoke from America's rail yards.
The Tramp is the brunt of every joke, the one whose rear gets kicked, the one whose face gets wet from a squirting flower. The customary features of the Tramp include a flesh-toned face, a beard of stubble, a ruddy nose, tattered suit and hat, and fingerless gloves.
The Tramp can be further divided into three groups, though the basic costume remains the same for each:
The Classic Tramp, forlorn and downtrodden, shuffling through life with a rain cloud over his head;
The Hobo or Vagabond, his manners are often elegant and refined; he's happy to be free of society; and
The Bag Lady, a female version of the Tramp or Hobo
Tramps have been made famous by such luminaries as Charlie Chaplin, Emmett Kelley, and Red Skelton.
Luis Hernandez
Creating a Character
This is where Zig Forumsacks will shine. I'd love to see an army of "Nazi" clowns, Viking clowns, Soldier clowns with oversized "BANG!" guns, etc.
I believe our most effective, and accurate, collective personae would be a cross between the Jester and the Trickster behavior, with the Tramp/Hobo Costume, or possibly a VERY CLEAN AND PRESSED White Face Clown, "Nazi" Anime "China Dolls".