Royal Space Force: The Wings of Honneamise is a milestone in Japanese animation as a whole.
Anime went through what could best be described as an awkward puberty throughout the 70's to the late 80s. Creatives and the industry as a whole were attempting to transition anime into a truly adult and mature medium. But such attempts were either well-intentioned but clumsy (i.e. Tomino's early Gundams; Leiji Matsumoto's early works, etc.), were "adult" in the sense of just being animated equivalents of shock and exploitation cinema (i.e. a lot of the boobs and blood OVAs of the 80s), or a little combination of both (i.e. Tezuka's Animerama trilogy) It wouldn't be until 1987 that an anime with an actual production budget worthy of being considered true adult cinema would be made.
Not only did "Wings of Honneasmise" have an extraordinary level of artistic detail, world-building, and animation on par with Akira, a full year before the latter's release, but also had thematic depth as well.
The central character, Shirotsugh Lhadatt is a listless loser amongst other listless losers, enrolled in their country's space program: an underfunded joke in comparison to other service branches, especially as said country is locked in a tense impending war with a nearby nation. As such, the space program is considered a wasteful luxury with nothing practical to offer. The protagonist is depicted as being somewhat content, and yet vaguely dissatisfied with his life of idleness and the amusements and distractions of the world. It is not until he encounters a girl, Riquinni Nonderaiko, that his life trajectory begins to change.
She is evangelizing in the streets and attempts to preach to him a religion that in terms of basic theology and concepts is pretty much a "ORIGINAL RELIGION! DO NOT STEAL!" version of Christianity. Inspired by her faith, she sees in him and his program the potential to inspire Godliness in man through it's groundbreaking work, and thus inspires him to attempt to become the first man in space. Initially, it's very obvious that Shirotsugh is just playing along with her religion and space aspirations to try to get into her pants. But his attitude begins to slowly change as he immerses himself in rigorous training, learns more about Riquinni's religion and cares for her and her daughter, and faces challenges to the program, whether it be technological limitations, political machinations, publicity overload, and even outright assassination attempts from the rival nation. It all comes to a head, when in a moment of drunkeness and weakness he almost rapes Riquinni before coming to his senses. In her strength, she forgives him, but their relationship is never the same.
Carrying on in the face of such guilt, the ground crew of the space program launches him into space, leaving both sides of the war in shock and awe just as they were on the brink of culminating the conflict. In one of the final scenes of the film, Lhadatt, as he floats in Earth's orbit in his capsule, solemnly prays for the forgiveness of the sins of the human race.
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